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<channel>
	<title>Clarice Ng</title>
	<link>https://clariceng.com</link>
	<description>Clarice Ng</description>
	<pubDate>Sun, 17 Nov 2024 14:48:51 +0000</pubDate>
	<generator>https://clariceng.com</generator>
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		<title>home</title>
				
		<link>https://clariceng.com/home</link>

		<pubDate>Thu, 09 Apr 2020 15:52:40 +0000</pubDate>

		<dc:creator>Clarice Ng</dc:creator>

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	<item>
		<title>Within The Shadows</title>
				
		<link>https://clariceng.com/Within-The-Shadows</link>

		<pubDate>Sun, 17 Nov 2024 14:48:51 +0000</pubDate>

		<dc:creator>Clarice Ng</dc:creator>

		<guid isPermaLink="true">https://clariceng.com/Within-The-Shadows</guid>

		<description>
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	Within the Shadows 
2024 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
Interactive Installation

Centre 42 
25 Oct – 3 Nov 2024
A warm thank you to Lukas, Tia, 
Ling Ling, Nicole Emma Low, Hong,
and many others who choose to 
remain anonymous who contributed 
audio recordings to make this 
work possible.


	A figure watches me
from the corner of my eye.
I beckon it to sit before me,
– tell me your woes.
Faced with a reflection of myself, 
I realise we are no different.


Within the Shadows is an interaction installation that explores of the afterlife and challenges traditional perceptions of ghosts as mere supernatural entities. By delving into symbolism of shadows, the artwork invites participants to reconsider these enigmatic figures as individuals with unique stories and experiences. 
The interactive elements, including projection and audio, encourage active listening and reflection, allowing audiences to connect with deeper themes on the nature of existence and the strength of relational bonds formed with one another. Through this exploration, Within the Shadows aims to evoke empathy, introspection, and a newfound appreciation for the complexities of the human experience, both in life and beyond.

Kampung Halloween is a 8-day programme (25 Oct - 3rd Nov 2024) commissioned by the National Arts Council, organised by PlayPan and directed by Dr. Woo Yen Yen for the Arts Resource Hub.









	



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	ProcessOn the Making of the Work
	Audio Submission Collection
An open call was&#38;nbsp; posted online prior to the exhibition, prompting participants to respond to one of the prompts below through an anonymous audio submission.







If you could communicate with a loved one who has passed away, what would you say?
Share a message or wish for those who come after you.What is the one thing that would keep you tethered to Earth, preventing you from moving on to the afterlife?The audio will be collected and to be used as raw material for the interactive installation. The audio files will then be filtered, distorted and compiled to be used in various portions of the work.


The Experience






Upon encountering the installation from afar, the participant will hear distorted sounds, as if someone attempting to communicate to them.
As the participant draws closer to the table set-up, they are invited to sit down to listen to the shadow that sits across them.
As they sit down, a speaker nearby plays the true audio files that have been submitted through the open call.
The participant then listens through the clear audio submissions and messages conveyed.
	
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		<title>Stories of Redhill</title>
				
		<link>https://clariceng.com/Stories-of-Redhill</link>

		<pubDate>Thu, 22 Aug 2024 15:25:46 +0000</pubDate>

		<dc:creator>Clarice Ng</dc:creator>

		<guid isPermaLink="true">https://clariceng.com/Stories-of-Redhill</guid>

		<description>


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	Stories of Redhill2024Interactive Experiential Installation
Lutheran Community Care Services (LCCS)
9 June 2024, 10 – 4PM
	In quiet corners, 
memories reside.A world within a room,each object speaks as a silent guide.


In a small, intimate space, the intricacies of the community of Redhill’s rental flats unfolds. A curated collection of objects, each a silent storyteller, invites visitors to touch and listen. As fingers brush against an object, a voice emerges, weaving a tapestry of Redhill's tales. The stories represent the heartbeat of a community – stories of care, routine and cherished memories. The installation, a culmination of interviews, sounds and sights, seeks to uncover the hidden narratives that lie beneath the surface of everyday objects.

Through this immersive experience, visitors are invited to reflect on their own journeys in Redhill. The installation becomes a catalyst for personal exploration and shared experiences. As visitors listen to the stories of others, they may find echoes of their own lives, connecting them to the broader community in a more profound way. The installation is not merely a showcase but a living, breathing entity, evolving with each resident’s contribution – a testament to the power of storytelling and the uniquely tight knit spirit of Redhill.

This experiential installation was made possible with the collaboration of Lutheran Community Care Services (LCCS) and the residents of rental flats in Redhill who have shared their stories, time and memories with us.
	



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		<title>Through the Neighbour’s Walls</title>
				
		<link>https://clariceng.com/Through-the-Neighbour-s-Walls</link>

		<pubDate>Wed, 09 Nov 2022 15:50:04 +0000</pubDate>

		<dc:creator>Clarice Ng</dc:creator>

		<guid isPermaLink="true">https://clariceng.com/Through-the-Neighbour-s-Walls</guid>

		<description>


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	Through the Neighbour’s Walls2022Interactive Experiential Installation
Kreta Ayer Square
10 – 13 Nov 2022, 12 – 6PMPhotography by Marcus Chow

	A familiar tune plays in the distance,
unable to identify its source – you lean in.
A wave of nostalgia pulls you closer.
You find yourself transported to a past life.
Set in a living room from the past, a Rediffusion set broadcasts familiar programmes throughout the day, reliving its role as a companion to the worker and the homemaker, the young and the old. It alludes to a time when the arts was woven into the fabric of our daily lives and served as a locus around which communities would gather.

When passers-by listen to the Rediffusion broadcasts, they are transported to a different time and space. For the curious guest, entering the living room takes them into the life of an imagined household where they would engage in intimate encounters. As they discover traces left behind by the family members, they will be invited to reflect upon and share about their own fond memories of everyday pastimes.

This experiential installation is an extension of the first episode of The Everyday Museum's self-guided audio trail series, Speaking of which – An Organic Terminus.&#38;nbsp;Commissioned by The Everyday Museum in partnership with National Archives Singapore and support from Rediffusion. Public interactions by Clarice Ng, set design and art direction by Junior Foong.Find out more about the programme&#38;nbsp;here.
	


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&#60;img width="1938" height="1292" width_o="1938" height_o="1292" data-src="https://freight.cargo.site/t/original/i/58a5394ff93b9f2c9bd94a91963a2c114292b61b3187dca29adec91f6419c152/IMG_0095.JPG" data-mid="238484534" border="0"  src="https://freight.cargo.site/w/1000/i/58a5394ff93b9f2c9bd94a91963a2c114292b61b3187dca29adec91f6419c152/IMG_0095.JPG" /&#62;





&#60;img width="7008" height="4672" width_o="7008" height_o="4672" data-src="https://freight.cargo.site/t/original/i/82edfbe385ec2a08fed8db17bda27663f626ada118416a73d026319aa84ed15b/MAR00068.jpg" data-mid="158500988" border="0"  src="https://freight.cargo.site/w/1000/i/82edfbe385ec2a08fed8db17bda27663f626ada118416a73d026319aa84ed15b/MAR00068.jpg" /&#62;
&#60;img width="6917" height="4611" width_o="6917" height_o="4611" data-src="https://freight.cargo.site/t/original/i/356b88f440f50133ecee79f153f98e1122bb4a4bbefcd8e81dca796aaf792acd/MAR00073.jpg" data-mid="158500990" border="0"  src="https://freight.cargo.site/w/1000/i/356b88f440f50133ecee79f153f98e1122bb4a4bbefcd8e81dca796aaf792acd/MAR00073.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Tender Observations of the Self</title>
				
		<link>https://clariceng.com/Tender-Observations-of-the-Self</link>

		<pubDate>Thu, 12 May 2022 16:18:38 +0000</pubDate>

		<dc:creator>Clarice Ng</dc:creator>

		<guid isPermaLink="true">https://clariceng.com/Tender-Observations-of-the-Self</guid>

		<description>
	


	
&#60;img width="3648" height="4560" width_o="3648" height_o="4560" data-src="https://freight.cargo.site/t/original/i/0f869771c70619984076f0dff1f6d3add82d5574ebf4cdc6dd3ab7e6eac19949/Clarice_Tender-Observations_Image_1.jpg" data-mid="142422079" border="0"  src="https://freight.cargo.site/w/1000/i/0f869771c70619984076f0dff1f6d3add82d5574ebf4cdc6dd3ab7e6eac19949/Clarice_Tender-Observations_Image_1.jpg" /&#62;
&#60;img width="3648" height="4560" width_o="3648" height_o="4560" data-src="https://freight.cargo.site/t/original/i/0e31a437b7481081e9e2a34a5c8d2ae8982e07357b7c109a9adb999ee9f8c728/Clarice_Tender-Observations_Image_2.jpg" data-mid="142422081" border="0" data-scale="63" src="https://freight.cargo.site/w/1000/i/0e31a437b7481081e9e2a34a5c8d2ae8982e07357b7c109a9adb999ee9f8c728/Clarice_Tender-Observations_Image_2.jpg" /&#62;

	



	
	Tender Observations
of the Self2022

Cassette Tape, Cassette Player with Audio (5:56)
Interactive Sound Piece


	Suspended in an aural space, not bound by physical preconceptions of the other – Tender Observations of the Self is an interactive sound piece that invites the listener to engage in a moment of attentiveness to their own bodies. In gazing inward to our instinctive physical sensations, expressions and reactions, we are able to nurture a deeper connection and understanding of our subconscious state of mind. Participants are invited to engage in conversation by listening to the pre-recorded audio on the cassette tape, to which they can record their own voice notes in response.
Listen to the full audio here – best experienced in solitude.


	





&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/7bdb5562590410e3d2c86b370b3771af412a6dff0326544941c980313b8e1ff1/IMG_9985.JPG" data-mid="143158154" border="0"  src="https://freight.cargo.site/w/1000/i/7bdb5562590410e3d2c86b370b3771af412a6dff0326544941c980313b8e1ff1/IMG_9985.JPG" /&#62;
&#60;img width="3860" height="2573" width_o="3860" height_o="2573" data-src="https://freight.cargo.site/t/original/i/556ecc4f6eb6375a178875a39c2ace0de636e12c00ee9e967e5c46baa62887ed/IMG_0001.jpg" data-mid="143158149" border="0"  src="https://freight.cargo.site/w/1000/i/556ecc4f6eb6375a178875a39c2ace0de636e12c00ee9e967e5c46baa62887ed/IMG_0001.jpg" /&#62;
&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/f5d6e0a55e7907e8bb04081731608a44b9727dd15b6578961022a721fb7a4dee/IMG_9973.JPG" data-mid="143158153" border="0"  src="https://freight.cargo.site/w/1000/i/f5d6e0a55e7907e8bb04081731608a44b9727dd15b6578961022a721fb7a4dee/IMG_9973.JPG" /&#62;
&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/f97f2d41ba84d9253bcf7d5f642777de095a2cc3cecea1ad894dca820c2bcefe/IMG_9967.JPG" data-mid="143158151" border="0"  src="https://freight.cargo.site/w/1000/i/f97f2d41ba84d9253bcf7d5f642777de095a2cc3cecea1ad894dca820c2bcefe/IMG_9967.JPG" /&#62;
&#60;img width="2144" height="1300" width_o="2144" height_o="1300" data-src="https://freight.cargo.site/t/original/i/4752e67c481f0dda14977f5917304d289af047c149360e75ec39463b341d0465/Screenshot-2022-05-20-at-4.22.50-PM.png" data-mid="143151838" border="0"  src="https://freight.cargo.site/w/1000/i/4752e67c481f0dda14977f5917304d289af047c149360e75ec39463b341d0465/Screenshot-2022-05-20-at-4.22.50-PM.png" /&#62;

&#60;img width="1355" height="896" width_o="1355" height_o="896" data-src="https://freight.cargo.site/t/original/i/e673c03b9270c26f1bd9315f68e1e6519f5d43711f8d030ed60880de90f2541b/1B798E96-4661-44FC-96FB-12ED71241F63.JPG" data-mid="143158148" border="0"  src="https://freight.cargo.site/w/1000/i/e673c03b9270c26f1bd9315f68e1e6519f5d43711f8d030ed60880de90f2541b/1B798E96-4661-44FC-96FB-12ED71241F63.JPG" /&#62;
&#60;img width="1440" height="953" width_o="1440" height_o="953" data-src="https://freight.cargo.site/t/original/i/f5bb7374053fe2a9ccba845aba5c65dce4a5b865a2dca07138db7487668be96e/0DC438FF-5A43-42FF-9B3F-6C885671FA74.JPG" data-mid="143158147" border="0"  src="https://freight.cargo.site/w/1000/i/f5bb7374053fe2a9ccba845aba5c65dce4a5b865a2dca07138db7487668be96e/0DC438FF-5A43-42FF-9B3F-6C885671FA74.JPG" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Notes on Quietness</title>
				
		<link>https://clariceng.com/Notes-on-Quietness</link>

		<pubDate>Tue, 16 Feb 2021 14:43:07 +0000</pubDate>

		<dc:creator>Clarice Ng</dc:creator>

		<guid isPermaLink="true">https://clariceng.com/Notes-on-Quietness</guid>

		<description>


&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/7af1ea9ee1d7fc4d946313ba14ec1f9f99a8434ee36c981ac83bef3c259d9c04/IMG_9890.jpg" data-mid="99730635" border="0"  src="https://freight.cargo.site/w/1000/i/7af1ea9ee1d7fc4d946313ba14ec1f9f99a8434ee36c981ac83bef3c259d9c04/IMG_9890.jpg" /&#62;
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/04cfb0082edd48b89899a573756f487fa3c9ac177374f68854ee15e405f9b979/418A3081.jpg" data-mid="99730622" border="0"  src="https://freight.cargo.site/w/1000/i/04cfb0082edd48b89899a573756f487fa3c9ac177374f68854ee15e405f9b979/418A3081.jpg" /&#62;
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/e621c3b6259e3b57af3f3bf8830c5ac9205e44b72e67ad6a10d6af43b8654e3e/418A3086.jpg" data-mid="99730625" border="0"  src="https://freight.cargo.site/w/1000/i/e621c3b6259e3b57af3f3bf8830c5ac9205e44b72e67ad6a10d6af43b8654e3e/418A3086.jpg" /&#62;



	
	Notes on Quietness
2021
Interactive Installation
Lamp, Table, Cushions, Paper, Wood, Headphones
Dimensions Variable

	Notes on Quietness is a text-based, participatory piece that explores the use of text and language in forming visual cues to activate the participant’s imaginary spaces in engaging them through the use of loosely instructional writing. It offers a perspective through an intimate, inward and tender lens in reconnecting with our internal thoughts, domestic lives and immediate communities. 

In the context of heightened restrictions being integrated into our interactions with the physical and social world, this work brings to light the endless possibilities and experiences that can be accessed by simply a change of perception or piqued curiosity. By utilising the resources within our immediate surroundings and tapping into the intangible spaces that exist within us — of memories, perception, thought and ideas — we are able to gain new insights into how we view the everyday.
Digital counterpart of the work can be viewed below.
	




&#60;img width="5196" height="3464" width_o="5196" height_o="3464" data-src="https://freight.cargo.site/t/original/i/f38efdabecee5680cc4c99ab8f51410f7362396472e18ffd4b455fc3d28aa72b/418A3088.jpg" data-mid="99730628" border="0"  src="https://freight.cargo.site/w/1000/i/f38efdabecee5680cc4c99ab8f51410f7362396472e18ffd4b455fc3d28aa72b/418A3088.jpg" /&#62;


&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/04cfb0082edd48b89899a573756f487fa3c9ac177374f68854ee15e405f9b979/418A3081.jpg" data-mid="99730622" border="0"  src="https://freight.cargo.site/w/1000/i/04cfb0082edd48b89899a573756f487fa3c9ac177374f68854ee15e405f9b979/418A3081.jpg" /&#62;
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/e621c3b6259e3b57af3f3bf8830c5ac9205e44b72e67ad6a10d6af43b8654e3e/418A3086.jpg" data-mid="99730625" border="0"  src="https://freight.cargo.site/w/1000/i/e621c3b6259e3b57af3f3bf8830c5ac9205e44b72e67ad6a10d6af43b8654e3e/418A3086.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Im Listening... (an echo)</title>
				
		<link>https://clariceng.com/Im-Listening-an-echo</link>

		<pubDate>Sun, 14 Feb 2021 03:28:55 +0000</pubDate>

		<dc:creator>Clarice Ng</dc:creator>

		<guid isPermaLink="true">https://clariceng.com/Im-Listening-an-echo</guid>

		<description>
	
	

	


	
	I’m Listening... 
(an echo)2020Interactive Sound Piece
27 responses

	I’m Listening... (an echo) is an interactive sound piece that emulates the act of confiding and listening through a text and sound based dialogue. Participants are invited to send in their introspections and late night thoughts, to which the artist will respond with a simple, personalised melody. This work facilitates thoughts, feelings and concerns that are collectively being experienced by a range of participants and explores the use of sound as language in communicating acknowledgement, comfort and assurance.

	
		
		
	
	
		
			
				
					
						
The Artist’s sound response is likened to an ‘echo’ informed by the act of deep listening, matching the energy
of the participant’s text as an attempt to acknowledge, comfort and assure the them. Similar to
this exchange, an echo only exists if one first chooses to verbalise their thoughts, it bounces back based on
the nature of the environment (the listener) it was released in.
This work was live from 1 June to 15 August 2020 via oursoftesthour.com, Encounters virtual group exhibition.


						
	



&#60;img width="3360" height="2100" width_o="3360" height_o="2100" data-src="https://freight.cargo.site/t/original/i/5bc0be0df85493fff4604033af66c6c3eb8d80f39c062f3fd21a76e95cc99983/CN_ImListening_1.png" data-mid="139846302" border="0"  src="https://freight.cargo.site/w/1000/i/5bc0be0df85493fff4604033af66c6c3eb8d80f39c062f3fd21a76e95cc99983/CN_ImListening_1.png" /&#62;
&#60;img width="3360" height="2100" width_o="3360" height_o="2100" data-src="https://freight.cargo.site/t/original/i/2030456b61c65a62d95180fb65f9ca51ddd3d875a010c405eb7aa64d007e1d55/CN_ImListening_4.png" data-mid="139846359" border="0"  src="https://freight.cargo.site/w/1000/i/2030456b61c65a62d95180fb65f9ca51ddd3d875a010c405eb7aa64d007e1d55/CN_ImListening_4.png" /&#62;
&#60;img width="2910" height="1814" width_o="2910" height_o="1814" data-src="https://freight.cargo.site/t/original/i/d971111f8730eae3796625473ae05193281d9200efbf097fc8b94c0174a420ac/Screenshot-2022-05-17-at-11.28.07-PM.png" data-mid="142868395" border="0"  src="https://freight.cargo.site/w/1000/i/d971111f8730eae3796625473ae05193281d9200efbf097fc8b94c0174a420ac/Screenshot-2022-05-17-at-11.28.07-PM.png" /&#62;
&#60;img width="2912" height="1810" width_o="2912" height_o="1810" data-src="https://freight.cargo.site/t/original/i/8da7cf78cd34253ee5aa906ab4a69703e2e5e74b09d1f9bb1b7e43296279752a/Screenshot-2022-05-17-at-11.28.30-PM.png" data-mid="142868428" border="0"  src="https://freight.cargo.site/w/1000/i/8da7cf78cd34253ee5aa906ab4a69703e2e5e74b09d1f9bb1b7e43296279752a/Screenshot-2022-05-17-at-11.28.30-PM.png" /&#62;
&#60;img width="2908" height="1814" width_o="2908" height_o="1814" data-src="https://freight.cargo.site/t/original/i/ce3c197d0abcac48d7e81cb0a3e84bcb53e1e5a183c4b8008b12cbf1f5d9a5ef/Screenshot-2022-05-17-at-11.28.52-PM.png" data-mid="142868441" border="0"  src="https://freight.cargo.site/w/1000/i/ce3c197d0abcac48d7e81cb0a3e84bcb53e1e5a183c4b8008b12cbf1f5d9a5ef/Screenshot-2022-05-17-at-11.28.52-PM.png" /&#62;
&#60;img width="2912" height="1816" width_o="2912" height_o="1816" data-src="https://freight.cargo.site/t/original/i/ff4039c5ac4275d0e74c8d930416560889bcb489e6aaec2d0af1f6f7d0a1bed6/Screenshot-2022-05-17-at-11.29.19-PM.png" data-mid="142868505" border="0"  src="https://freight.cargo.site/w/1000/i/ff4039c5ac4275d0e74c8d930416560889bcb489e6aaec2d0af1f6f7d0a1bed6/Screenshot-2022-05-17-at-11.29.19-PM.png" /&#62;




	
	Submitted responses – click on ‘play’ to listen
	



	





	All the relationships that died without a proper burial.














I want to find true love but don’t think I ever will; unconditional love 				that I give and receive back with a person I adore, admire and truly 				worship.






 











A girl, running on my mind all day and night.
















depths of despair and worthlessness


1/2 years ago, I was so stressed that I couldn’t make money off my art. I felt 			that I wasn’t good enough. So I took a long break from art.

Right now, I think I’m happy with my decision to take a break. I have new perspective in art and life. Do what you love, everyone’s journey is different. 

It may be egotistical to say this but I am really proud of myself for letting my 			mind go wild and free and not care about what others think about my art. 

It’s mine and a reflection of me. Everyone’s art is different because we all have different reflections. The beauty of life is in our diversity, no?












how the stars have aligned and reveal the achilles heel of the systems planted by humans

















I wish I knew whether all of this is worth anything 















I love being up at night because that's when the world's asleep and I can 


finally be alone. But underlying that calmness is always another anxiety 


that I have to sleep or I'll be sleepy the next day - that constant internal push-and-pull has been how I've been spending my nights, and nothing can quite compare to it.






	












The days are blending, I hope my mind is mending.













What’s waiting out there for me?






feeling incomplete












what is happening to the world?

















Hearing the ambulance siren outside my window at 11:14pm and yet still typing away on the keyboard for a presentation at work tomorrow. relentless and restless















this means what

my heart beats

















a dissonance from life and everything that is real













i wish i could see the future in all of its certainty instead of lying here, thinking of what ifs and could haves







	Random but overwhelming moments of loneliness












I worry that even if I go to sleep, tomorrow will still be the same.


















I just want someone to stroke my hair while I lie on their knee, pull it when 			necessary.

Wild Child the movie said if you sit on your hand till it turns numb and hold 			your own hand it’s like holding someone else’s. Of course in betweeners says that tactic is good for self pleasure. But either way I’m tired of feeling like I’m stroking my own hair with a numb hand.
















General uncertainty with what I’m doing with my life (career-wise, feelings-wise, life goals)













lack of human touch and worry of reuniting with others

















Past memories or possible memories












the cat scratching at the door because it wants to go out to pee
















I need help
















the small crab's friend - the mochi.


	














</description>
		
	</item>
		
		
	<item>
		<title>In Your Hands</title>
				
		<link>https://clariceng.com/In-Your-Hands</link>

		<pubDate>Thu, 09 Apr 2020 15:52:41 +0000</pubDate>

		<dc:creator>Clarice Ng</dc:creator>

		<guid isPermaLink="true">https://clariceng.com/In-Your-Hands</guid>

		<description>


&#60;img width="3453" height="2302" width_o="3453" height_o="2302" data-src="https://freight.cargo.site/t/original/i/eb27ccfa381ff0afe70df87211bffd6e94ded69dd9ad5ca0b8e2070a638b5a55/inyourhands11_LR.jpg" data-mid="67851859" border="0"  src="https://freight.cargo.site/w/1000/i/eb27ccfa381ff0afe70df87211bffd6e94ded69dd9ad5ca0b8e2070a638b5a55/inyourhands11_LR.jpg" /&#62;
&#60;img width="3379" height="2253" width_o="3379" height_o="2253" data-src="https://freight.cargo.site/t/original/i/96d9a2b19e496367d4ada26d6fc0347b67a2c5adde8837320b7b91fdb4242d1f/inyourhands8_LR.jpg" data-mid="67851862" border="0"  src="https://freight.cargo.site/w/1000/i/96d9a2b19e496367d4ada26d6fc0347b67a2c5adde8837320b7b91fdb4242d1f/inyourhands8_LR.jpg" /&#62;
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&#60;img width="3390" height="2261" width_o="3390" height_o="2261" data-src="https://freight.cargo.site/t/original/i/224308e65a131d76eee9aab9ce1c2669f86b2f27bb6824ce66cb1e2c41fd7a3e/inyourhands7_LR.jpg" data-mid="67851860" border="0"  src="https://freight.cargo.site/w/1000/i/224308e65a131d76eee9aab9ce1c2669f86b2f27bb6824ce66cb1e2c41fd7a3e/inyourhands7_LR.jpg" /&#62;
&#60;img width="3451" height="2300" width_o="3451" height_o="2300" data-src="https://freight.cargo.site/t/original/i/2d2953352de369afc9bd1d01dff80475f5de2bd97969249552b542af9d060555/inyourhands12_LR.jpg" data-mid="67851864" border="0"  src="https://freight.cargo.site/w/1000/i/2d2953352de369afc9bd1d01dff80475f5de2bd97969249552b542af9d060555/inyourhands12_LR.jpg" /&#62;
&#60;img width="3648" height="2432" width_o="3648" height_o="2432" data-src="https://freight.cargo.site/t/original/i/c3eb505ecd6b2b76cedf7b7b820b883c4d3a135f4c1702b1b0c05f432d725eb9/inyourhands9_LR.jpg" data-mid="67851863" border="0"  src="https://freight.cargo.site/w/1000/i/c3eb505ecd6b2b76cedf7b7b820b883c4d3a135f4c1702b1b0c05f432d725eb9/inyourhands9_LR.jpg" /&#62;
&#38;nbsp;
	
	

	
In Your Hands
2019
Interactive Sculpture SeriesScarva Earthstone

	In Your Hands is a series of interactive sculptures that parallels the innate fragility of human beings. Viewers are invited to interact with the work and are thus given the power, responsibility and choice as to how they handle the work where the artist surrenders all forms of control, leaving each sculpture vulnerable in the hands of the public.
It was shortlisted for the 2019 Batsford Prize under the Fine Art category and was exhibited in the Camberwell College of Arts Summer Degree Show 2019 and Power Play Festival 2020, Singapore.


	




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</description>
		
	</item>
		
		
	<item>
		<title>For A Moment, We Were Children Again</title>
				
		<link>https://clariceng.com/For-A-Moment-We-Were-Children-Again</link>

		<pubDate>Thu, 09 Apr 2020 15:52:40 +0000</pubDate>

		<dc:creator>Clarice Ng</dc:creator>

		<guid isPermaLink="true">https://clariceng.com/For-A-Moment-We-Were-Children-Again</guid>

		<description>


&#60;img width="2302" height="1539" width_o="2302" height_o="1539" data-src="https://freight.cargo.site/t/original/i/10c9aa18c1ceee5448f5e2b6d747f93de4bd4a47835a723cfcfa96efbd8014a7/FAMWWCA1_lowres.jpg" data-mid="67843703" border="0"  src="https://freight.cargo.site/w/1000/i/10c9aa18c1ceee5448f5e2b6d747f93de4bd4a47835a723cfcfa96efbd8014a7/FAMWWCA1_lowres.jpg" /&#62;
&#60;img width="3722" height="2487" width_o="3722" height_o="2487" data-src="https://freight.cargo.site/t/original/i/9aa8705567553eb1fbc02675dd577ad78cc00c17ee24069e6fba91e1c7b47c3f/FAMWWCA5.2.jpg" data-mid="67843704" border="0"  src="https://freight.cargo.site/w/1000/i/9aa8705567553eb1fbc02675dd577ad78cc00c17ee24069e6fba91e1c7b47c3f/FAMWWCA5.2.jpg" /&#62;


For A Moment, We Were Children Again2019Interactive InstallationMixed MediaDimensions Variable
For A Moment, We Were Children Again is an interactive installation that seeks to bring out the inner child within the participant, reigniting a sense of wonder and curiosity amidst the pressure and demands of adulthood. 
The artist is planted within the blanket fort to navigate the experience by taking on the role of the storyteller, contextualising the work and mediating conversation.
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&#60;img width="2495" height="1664" width_o="2495" height_o="1664" data-src="https://freight.cargo.site/t/original/i/79c157bc9f11087671521b2116b9f4e5439054e87f82a913d2f86ddb70785ebd/FAMWWCA2_lowres.jpg" data-mid="67842525" border="0"  src="https://freight.cargo.site/w/1000/i/79c157bc9f11087671521b2116b9f4e5439054e87f82a913d2f86ddb70785ebd/FAMWWCA2_lowres.jpg" /&#62;



C O L L E C T E D&#38;nbsp; &#38;nbsp; A U D I E N C E &#38;nbsp;&#38;nbsp; M E M O R I E S
A memory, a thought, a story — share a piece of your childhood and attach it toa string as a collective act of reminiscing, bringing different pasts to one space.




&#60;img width="1754" height="1240" width_o="1754" height_o="1240" data-src="https://freight.cargo.site/t/original/i/2c290a9cbf0fefadedc7fbf0290a2a0f1c3d064977cf601797e9b30e7bdae1f4/FAMWWCA_mmr_-1LR.jpg" data-mid="67844312" border="0"  src="https://freight.cargo.site/w/1000/i/2c290a9cbf0fefadedc7fbf0290a2a0f1c3d064977cf601797e9b30e7bdae1f4/FAMWWCA_mmr_-1LR.jpg" /&#62;
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The calming stillness of childhood, shutting theoutside out, whilst the rain patters at the window.Safe inside. Cosy, sleepy, still. Encased in thepretend for just one moment longer. Sigh.



	


The smell of the pool at night. With a fat old manplaying the accordian. Jazz music in the moonlight.




	

Listening to thunderstorms with
my mum and counting between them.
Now it’s my favourite weather.


	

	
When I was a little girl, if there was a big
rainstorm on the weekends my father would take
me and the do around our estate with our wellies on.
The objective of the walk was to see who could
squash the most slugs during our stroll.Though morose and cruel, those were some
of
the happiest walks of my childhood




	

A few years back I had a dream where I was
in a
tent like this one with strangers and we
could hear each other’s thoughts echoed in our
minds as we fell asleep. It’s really interesting
how I’m having such a déjà vu feeling right
now in both cases feeling innocent.



	


Do you think you can be in love with
more people at the same time?



	

There is either everything or nothing happening
at the same time. It’s all about the energies you feel
and reflecting outside so that the others can
grasp them as well.


	

My sisters and I used to make fairy houses
in shoe boxes. We would build beds for them
and leave them offerings and write them letters.
They would write letters back to us. Being
in
here feels like being inside a fairy house.




	

I am at the garden. I paint over my dad’s painting.
He comes and gets the paint off me with turpentine.
He tells me I need to do my own painting. He gets
out an old painting with a printed Mona Lisa.
I paint over it. It’s great. I feel like a painter now.


	

I had an amazing childhood but my dad hid
his homelessness from me. I was embarrassed to
be
seen with him. This helps me reconcile the nostalgia
I have for a happy, ignorant childhood with the shame
and guilt I’ve grown to feel towards my dad.

</description>
		
	</item>
		
		
	<item>
		<title>I Begin to Write</title>
				
		<link>https://clariceng.com/I-Begin-to-Write</link>

		<pubDate>Thu, 09 Apr 2020 15:52:41 +0000</pubDate>

		<dc:creator>Clarice Ng</dc:creator>

		<guid isPermaLink="true">https://clariceng.com/I-Begin-to-Write</guid>

		<description>

&#60;img width="1555" height="1036" width_o="1555" height_o="1036" data-src="https://freight.cargo.site/t/original/i/9d734f930eda73c15922b85db9d5508628ebea68a2b4a8a5e6421e98e1caa46b/ibegintowrite_clariceng_1.jpg" data-mid="67869999" border="0"  src="https://freight.cargo.site/w/1000/i/9d734f930eda73c15922b85db9d5508628ebea68a2b4a8a5e6421e98e1caa46b/ibegintowrite_clariceng_1.jpg" /&#62;
	
	I Begin to Write2019Interactive InstallationHandbound Book, Lamp, Table, ChairDimensions Variable

	‘I Begin to Write’ is an interactive installation work that acts as a collective point of reflection. Amidst the act of passive looking within a gallery space, visitors continuously absorb the thoughts presented before them. This installation serves to flip that traditional dynamic by opening up a space that instead, highlights the visitors’ own thoughts.
Participants are prompted to engage through writing and to respond to the writings 
of others — to pause, reflect and connect. It acts as a site-specific time capsule, depicting the community of thought of the visitors of the designated gallery space during the duration of its showcasing. It also documents each individual’s state of mind at a point in their life during their visit as well as a quiet mark of existence, that they have passed through.This edition of the book was made possible by the visitors of the Wilson Road Upper and Ground Floor Galleries in South London, during the period of 31 Jan - 7 Feb 2019.
	



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